My work is a continuous act of observation and emotional reflection. Through painting, I explore the nuances of memory, domesticity, relationships, and the subtle energies of everyday life. I am drawn to moments that feel personal yet universal—familiar urban corners, shared gestures, or the quiet poetry of the moment. These images often emerge from lived experience, and I aim to translate them into a visual language that is both immediate and introspective.
Over time, my practice has evolved into a number of distinct but interrelated series, including portraits, figurative compositions, cityscapes, and landscapes. Each body of work offers a different lens through which I explore presence, place, and emotion. The portraits and figures reflect interpersonal intimacy and psychological depth, while my cityscapes and landscapes examine how environment shapes perception and memory—both in physical and emotional terms.
Using primarily acrylic on canvas, my technique is intuitive and layered. I work with loose, gestural brushwork and expressive color, often allowing the raw marks and traces of the process to remain visible. This openness—an intentional lack of polish—creates space for imperfection, emotion, and transformation. I do not aim to reproduce reality, but rather to reinterpret it through feeling.
Figuration and abstraction exist side by side in my work. Some paintings suggest recognizable people or places; others dissolve into fields of color and shape. This fluidity reflects the way I see the world: shifting, layered, and open to interpretation.
Ultimately, my work is a personal archive—a visual diary—through which I process the world around me.
